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I am a Belgian-born multi-media artist who has been living downtown LA since the summer of 2011. I work in various mediums, graphic design, paintings, drawings, and is constantly seeking ways to be innovative and incorporate sustainability practices in other mediums like sculpture, installations and custom apparel.
Since living in Los Angeles, I have created several public works of art and installations, most recently including ‘Night on Broadway’, the music and arts festival with the City of Los Angeles in January 2017 titled, ‘LASIM’ (Los Angeles Skyline Interactive Mural). I was also one of seven finalists for ‘21 Broadway Boxes’ project as part of the ‘Bringing Back Broadway’ initiative. Caroline hand painted two utility boxes also in collaboration with the City of Los Angeles and Beautify Earth for ‘Beautify Hi-Fi’ Project in 2015. The project included a selection of 19 Los Angeles-based artists to paint directly on utility boxes in Historic Filipinotown. I was one of the only artists to be awarded with two boxes as her canvas. In addition with Beautify Earth, I have completed two murals in Santa Monica in 2015; Infuse Wellness - a medical spa and Elite Appliances - a high-end appliance store. Also in 2015, I was the exhibition designer and assistant curator for Citylife.org’s 20th anniversary exhibition at the A+D Museum. In 2012, I created an installation at “The Box” at the Standard in West Hollywood.
I have also had numerous well-received exhibitions of my paintings in Los Angeles, New York, Miami and North Carolina.
I completed a collaboration with Reebok at the beginning of October for their new fit-hub space to design an indoor mural in West Hollywood. Last summer, I created an interactive exhibition and installation, ‘The Vortex Project’ based on the insertion of color into a stylized norm-core world. The Tunnel installation, a 12 foot by 9 foot sculpture made of recycled hosiery braids, resistance tubing and hardware that attendees could walk through.
After ten years of working for architecture firms in the marketing capacity and concurrently having an art career, I have made the big career leap as a full-time artist and designer. For me that entails a variety of creative capacities; graphic design / branding for different types of products for clients in the public and private sectors, producing / selling fine art, commissioned indoor / outdoor murals, and all of the places in between.
My work is consistently inspired by colorful urban landscapes, patterns, op-art and animal imagery. Several dimensions of my childhood and early adult-hood are reoccurring themes that compose the infusion amongst the cityscapes and animal conformations.
The architectural imaginings are the result of a creative spark, beginning at 19 with my first visit to New York City. It continues to serve as an inspiration and has progressed into non-representational aspects that are non- literal architectural compositions. In the most recent series, I focus on the exploration of various individual forms that make up a city: the micro within a macro dynamic including: architecture, topography, and cultural and physical infrastructure. Essentially, encompassing the idea of organic vs. environmental and the nature of urban development.
Every line, dot and color illustrates a connection made among these elements as they meld and recreate each other, serving as points of growth within a composition. Specifically, in the way larger cities accumulate architecture over time and the difference in landscapes between urban and rural locations. Each painting, drawing and design is developed similarly to the advancement of these cities with progressive transformation appearing over time, ultimately coming together to form an unexpected and harmonious whole.
My love for op-art and the Vortex series is inspired from my father’s art collection that I was exposed to from my childhood. One of his favorite artists is Victor Vasarely and in his collection is a print from Vasarely’s early Vega period which hung in the hallway next to my bedroom throughout my childhood. My father and I spent lots of time venturing together to art auctions and flea markets where he taught her about their art findings. My father’s collection serves as a lifelong inspiration to her work and she continues to be directly tied to memories of childhood. Through the various diffcult family and life experiences, I always return to the thought of innocence. The idea of never wanting to lose the part of it that reverts to a simple life, yet on the other hand also enjoying the chaotic elements of life like living in a metropolitan city.
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